Aesthetics & Teh Poetic Image Of Rabindranath Tagore

It is a matter of great joy that Dr. Asit Kumar Datta has laid his hands upon the task of analysing the poetic paintings of Tagore by applying both Indian and Western yardsticks of literary evaluation. This analysis of the poetical paintings of Tagore has started with presentation of the philosophy of Tagore also. It has already been pointed out that Tagore does not project one philosophy; his literary creations rather contain projections of different philosophies, because like the great Vyasa he is a literary monster projecting different theories at different periods.
About Author :
Dr. Asit Kumar Datta born 1938, 2nd July in the village Laxmitole, P.O. Narayanpur, Birbhum near Rampurhat and Ahmedpur High School upto 1954. College from 1955-59. Then M.A. Bengali in 1964 from Calcutta University. M.A. in English from Jadavpur University in 1972. Ph.D. from Jadavpur University in 1971.
Contents :
Preface 1. Introduction 2. Image and Universalization in the Poetry of Rabindranath 3. Image and Symbolization in the Poetry of Rabindranath 4. Image and Its Relation to the Aesthetic Experience of the Poet 5. Distinctive Feature of the Image Used in the Poetry of Rabindranath in Comparison with Western and Eastern, Specially in that with Bengali Poets 6. The Co-relation between the Analytical Estimate of the Poetic Image and the Art of Critism Bibliography Index