
Combining Ferrante Ferranti's magnificent color photographs, many never before published, with Giovanni Careri's absorbing prose account of the Baroque in chapters arranged by theme, "Baroques" marks the first time the topic has been treated so comprehensively, going well beyond Italy as far as colonial Latin America.
The materials used in Baroque churches, palaces, gardens, and cities were meant to dazzle-but they did much more. Whether marble, stucco, or gilded bronze, each in its own way captures the fleeting interplay between the overt splendor of fireworks and the secret, conceptual complexity of allegory. The Baroque is an art of passions and ecstasies, but it is also a political art: it conveys an image of power charged with new energy, an image that inspired awe, fear, and respect. Above all, it is a total art: painting, sculpture, and architecture come together in "Baroques" as a wholethat invites the reader into its transforming universe.
| marc mercuri camille paglia dale m courtney michael f stagliano athanasios papoulis | vijay govindarajan patrick johan kugelberg michael e mortenson henry f korth |