Cathedral Of The Black Madonna: The Druids And The Mysteries Of Chartres

RELIGION / HISTORY The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass and mystical labyrinth. But the foundations of this sanctuary go back to a time long before Christianity, when this site was a clearing where Druids worshipped a virgo paritura, a virgin about to give birth. Now at this ancient meeting place, where all the Druids in Gaul gathered once a year, there stands Chartres cathedral, dedicated to the Virgin Mary, Mother of God, and home to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces the appeal of the Black Madonna back to the ancient, widespread worship of mother goddesses such as Cybele and Isis. In fact, Markale contends that the mother and child depicted by the Black Madonna are not merely descendants of the Druid's spiritual image of the virgin forever giving birth, but that the statue seen in Chartres today represents a theological notion of great refinement: The Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming. Poet, philosopher, historian, and storyteller JEAN MARKALE has spent a lifetime researching pre-Christian and medieval culture and spirituality. He is the author of more than forty books, including The Church of Mary Magdalene, Montsegur and the Mystery of the Cathars, The Templar Treasure at Gisors, The Druids, The Celts, Merlin, and Women of the Celts. A specialist in Celtic studies at the Sorbonne for many years, he lives in the Brittany region of France.

Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna- Examines the Virgin Mary's origins in the pagan worship of the Mother Goddess- Identifies Mary with the dominant solar goddess of matriarchal societiesThe great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a "Virgo Paritura: " a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres' roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis.Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.