David Hockney

The relationship between art and life has been of overriding importance in the work of David Hockney, who has perhaps enjoyed greater popularity than any other British artist this century. Here Marco Livingstone traces those connections from the beginning of the artist's career in the early 1960s through to the more recent works that have contributed to Hockney's international reputation. These include his photocollages and highly acclaimed stage designs for the opera, not to mention his embrace of technology - namely the fax drawings and color laser prints - which show the continuing preoccupation with invention and artifice that has made the artist's work at once popular and enduring.

This first ever survey of the subject demonstrates that realism has had a continuous yet restlessly changing place in American and European painting throughout the twentieth century -- from Eakins, Bellows, and Homer, through Vuillard Bonnard, Schiele, Morandi, Hopper, and Giacometti, to Balthus, Lucian Freud, and David Hockney.

Most accounts of twentieth-century art have tended to overlook the persistent, diverse, vibrant, and powerful presence of realist painting. Brendan Prendeville discusses the historical, artistic, and critical contexts in which painting has taken a realist turn, from the Ashcan School to Soviet Socialist Realism, from painting of the Existentialist era to the time of Photorealism. In this period, he argues, the western tradition of pictorial realism has in fact been renewed and modified through the diverse influences of modernism, political conflict, and new visual technologies.