
Cohen looks first at some current struggles to control public history, examining popular newspaper accounts of events in geopolitics and art, different views of the modern historian's role as a public authority, and the function of anecdote and its relationship to historical writing. He then turns to the works of several major figures in contemporary critical theory, including Derrida, Lyotard, and Deleuze and Guattari. Against the belief that their ideas led primarily to escapism, blindness, or endless deferral, Cohen demonstrates how their concepts of an affirmative yet critical event can be applied specifically to counter contemporary abuse of history and, in doing so, to resist social passivity, the nihilism and eschatological catastrophe of which they describe.
| katherine d roome g a cohen b a c el nashie d p chattopadhaya | hartman u b chopra nicholas lodge r c campbell deepak |