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The volume's eight sections, each introduced by the editors, cover topics such as
Film as art
The nature of film
Documentary cinema
Narration and emotion in film
Film criticism
Film's relation to knowledge and morality
Whether addressing assumptions about the objectivity of documentary film, fear of movie monsters, or moral questions surrounding the viewing of pornography, this text is replete with examples and discussion of moving pictures throughout.
Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.
The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory
Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality
Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography
Replete with examples and discussion of moving pictures throughout
| h d pande k k gupta r j srivastava patricia e molina chetana hegde dafydd stuttard s a abbas | james p hogan anita miller rachel e spector mezirow d a christie |