
This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations.
As a much-needed reappraisal of these comedic plays, "Renaissance Comedy" is an invaluable look at the performance history of the Renaissance and Italian culture in general.
| l a banks h w wallis judy kentor schmauss annie cohen solal geoffrey douch | mildred a wirt k a bachman harvard business school press marilynn armstrong doug cutting |