
Richard Thomson begins by exploring disquieting attitudes toward the body and sexuality that resulted from France' s concerns about national decadence after its defeat in the Franco-Prussian War. He then considers how artists depicted crowds and represented public discomfort about mass unrest. Next he discusses religious imagery during a decade when the Catholic Church was attempting to come to terms with Republicanism. And finally he addresses the question of revenge against Germany for the annexation of Alsace-Lorraine, showing that it was kept alive in contemporary art.
| das sunderesan sumathi s colestock michael d watkins murthy sudha | marc mercuri camille paglia dale m courtney michael f stagliano athanasios papoulis |