The book is a study of Indian art, iconography and sculptures representing devotion, love, human moods and sentiments, especially in its depiction of female sculptures on ancient temples covering famous temple of Khajuraho, Bhubaneswar, Pura, Konark, Nagda, Belur, Halebid, Ajanta and Ambarnath of various dynasties.
The book is a study of Indian art representing devotion, love, human moods and sentiments, especially in its depiction of female sculptures on ancient temples. It begins with a discussion on Indian art as synthesis of the sublime in nature and the human physical form that conveys the sublime. With numerous illustrations of art, iconography and sculptures from different regions of India, it examines a breath-taking variety of female forms of divinities, celestial nymphs and others symbolising youth, beauty and sensuousness. Referring to features of art of different periods under various dynasties, like the Gupta art, it focuses on representation of female forms and couples particularly erotic realisations in art, i.e. nude figures and mithuna scenes. It studies the figures carved on various materials and in different styles, highlighting the salient features of each one of them. The influence of religious traditions, as Tantrism, on the art depicted is painstakingly traced. Giving examples from famous temples of Khajuràho, Bhubaneswar, Purã, Koõàrk, Nàgdà, Belår, Haëebid, Ajantà and Ambarnàth, the work examines expressions, postures and attitudes of figures to show that they reflect physical bliss, emotional and psychological expressions, and the spiritual state. The book will be useful for scholars of art and art historians in particular who are keen on understanding the aesthetics of Indian art.