John Baskerville; Type-Founder and Printer, 1706-1775  (English, Paperback, Benton Josiah Henry)

This historic book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1914. Not illustrated. Excerpt: ... not worth a Groat might be communicated by, &c. He was excessively self-confident. He considered himself different from others. He thought that whatever was brought into being by Baskerville was therefore a fine thing, and truth compels us to say he was probably right. His japan work was better than that of any one else, and his printing was the finest that England had seen or has since seen. So much for Baskerville the man. We have now to see what he did as a type-founder and printer. At the beginning of the century there was no real type foundry in England. Nearly all the type used was imported from Holland, but in 1737 Samuel Caslon, who was a gunsmith's apprentice, issued a specimen sheet of his founts of type, and after that England could depend upon her own resources for types. William Caslon, brother to Samuel, afterward lived with a Birmingham type-maker named William Anderton, who printed a little specimen of Great Primer, Roman and Italic. Baskerville probably became acquainted with Anderton. At any rate, there is here an explanation of the way in which the japanner's interest became aroused in the designing and making of founts of type for purposes of printing. Much of the beauty of type depends upon the printer, and therefore Baskerville soon came to see that he must print with the types which he cut. From the very commencement of his experiments in type-founding he was determined to occupy himself both with type-founding and printing. It also occurred to him to introduce a new kind of paper which had been finished in a certain way. In a word, he wished to use processes for books very similar to those which he had used for his japanned goods. His proposals, therefore, took the following shape. There was to be a new typography, and for its i...