Rabindranath Tagore's elder brother Jyotirindranath Tagore, a Western educated bright young man from the 19th century Bengal met the octogenarian Lalan Fakir and drew a portrait of the poet saint in the former houseboat afloat on the river Padma. Jyotirindranath, an urban intellectual exchange views with the man of native wisdom. Their exchange of ideas forms the cinematic narrative of this film. The narrative is a saga of the life and time of Lalan Fakir and his liberal sect who lived a life of high order in an otherwise superstitious 19th century Indian society. Lalan inherited the best of the liberal and enlightened tradition of Hinduism, Buddhism and Islam to develop a philosophy of life which is extremely secular and tolerant. Thus became an easy prey for the fundamentalists from the Hindu and the Muslim institutions. They were the parallel stream flowing freely in the heart of rural Bengal when men like Tagore were germinating ideas of the Bengal Renaissance
The love and compassion of Lalan is relevant more than ever in today's world of intolerance and hate.
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Broadly, I would like to congratulate Goutam Ghose for two things : 1. For picking a subject of great philosophical importance particularly for the knowledge of today's youth and those people ( majority ) who are still bogged down with narrow "rituals" of their respective religions, cast & creed. I would also like to congratulate him for his courageous departure from the so called polished, feel good films based only on higher middle class sensibilities.
beautiful movie by Gautam Ghosh, a movie made on the life of Lalan Fakir, the movie has covered some very interesting scenes from the saint's life which normally a devotional movie will not. This movie will inspire and ignite the fire of the unknown within the seeker of the path.